Archive for October 2010

Episode 1532 is up

October 6, 2010

Episode 1531 is up

October 6, 2010

Sarah Jaffe “Suburban Nature”

October 3, 2010

Sleepytime faux-lk music. Her voice has plenty of texture, and the backing music is generally quite complementary. There’s a vibraphone, a misspelled “accordian” and marimbula to help out with that.
“Wreaking Havoc” and “Summer Begs” are twin pillars of vocal strength. The whole record holds its own, however. “Pretender” has a Sundays feel, even if the voice is different. What makes the album work is that they let the voice run front and center rather than try to hide it behind a bunch of layered instrumentation. The balance means the sound guy deserves a raise.
If you’re looking for something faster, “Watch Me Fall Apart” has a peppier rhythm. But generally it’s all slower music, possibly good for making out. Let me know how that works out for you.

Defiance, Ohio “Midwestern Minutes”

October 3, 2010

Yeah, I don’t have a lot of nice things to say about Ohio. This guy from Toledo calls my show every week, and he’s just insane (and not in a good way), so when I see his number in the caller ID, I just let it ring. I feel bad for the rust belt states; I do. But their expectations confuse me. If we move manufacturing jobs back to Ohio, they will require such high wages that no one will buy the goods after they are made because they will cost too much.
So emerging from the soon-to-be ashes of Michigan’s favorite punching bag come Defiance, Ohio. “A Lot to Do” stands out as an energetic yet moody song. It makes you want to sing along, even if you don’t know the words.
This whole record sounds like band therapy to me. So when I don’t get a song, I don’t take it personally. They decided to rock out with their cocks out (where applicable), and now they feel better. Who I am to disagree?
“Hairpool” reminds me of Antenna, with a little bit of Tripping Daisy mixed in. “The Reason” has an introduction melody that reminds me of the “Muppet Show” theme.
The CD says everyone sings, which is technically true, but the guy that sings the most shouldn’t be. The whole album is OK. They’re probably really cool to tour with because they have no legitimate claim to pretense.

Of Montreal “Coquet Coquette” (maxisingle)

October 3, 2010

There’s a radio edit, an album version and two remixes. But only the radio edit is clean. It sounds like a good of Montreal song. That’s what it is. Not every song has to be a surprise. Sometimes it’s just good. Like this one.

Various Artists “Des Jeunes Gens Modernes”

October 3, 2010

Billing itself as “post punk, cold wave” from 1978 through 1983, this two-disc compilation sounds exactly as you would expect it to: lots of Devo-inspired music that my uncle would really like. Let’s hear it for Generation X. The twist is that it’s all French. Perspective Nevski are first with “Moment of Hate.” There are some Depeche Mode hints in this one. Mecanique Rythmique accentuates the keyboard a little too shrilly on “Extase.” I really like Guerre Froide’s “Ersatz.” It reminds me of Human League. Artefact is clearly singing in English in “Sex Computer.” It sounds like Kraftwerk. The synths are also very fun on this one. Suicide Romance is a little more power pop than the others with “Modern Romance.”
Lizzy Mercier Descioux reminds me of the Buggles on “Torso Corso.” Lots of reminding on this one, but that’s what happens when you release a bunch of music 30 years later. Medikao stands on its/his own with “Detective.” Seeing these song titles reminds me of playing Mille Bornes. The words are in French, but you can vaguely understand what they mean. If you’re into the novelty of people that can’t speak English singing in English, go for Henriette Coulouvrat’s “Can’t You Take a Joke?” I prefer it when the Japanese do this, myself.
“Exposition” is an OK song, but I mention it because it is by Charles de Goal. That’s the best name ever. Les Provisoires reminds me of P.I.L. on “So Much More.” When you think of the great synth comeback of the middle part of the last decade, you can see where it came from when you hear “Main dans la main” by Elli & Jacno. In general the better songs are at the beginning of each of the two CDs.
I’m a big fan of Norma Loy’s “Romance.” A lot of these bands use “modern” and “romance” in their names and titles, but I guess that’s just a symptom of rock ‘n’ roll at large.
At the end of the second CD are a bunch of remixes, and they indeed have a newer sound to them. Poni Hoax does a cover of Marquis de Sade’s “Wanda’s Loving Boy,” which reminds me of Frankie Goes to Hollywood.
All in all, a bunch of new wave from the disco era. It’s a lot of fun! It’s also in French, mostly.